Download PDF Ukiyo-e: The Art of the Japanese Print, by Frederick Harris
Download PDF Ukiyo-e: The Art of the Japanese Print, by Frederick Harris
Ukiyo-e: The Art of the Japanese Print, by Frederick Harris
Download PDF Ukiyo-e: The Art of the Japanese Print, by Frederick Harris
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Pressestimmen
"I was immediately drawn to this handsome book, and my expectation of a fine journey into the floating world pictures became fulfilled. First, the color reproductions of Frederick Harris's high-quality choices give a good sense of the way woodblock prints appear in life. Second, his writing is clear, welcoming, deeply informed, and well organized. The stated aim of Frederick Harris was to appeal to a new generation of art lovers and collectors. He appears to have hit the target. This is a wonderfully worthy effort and result—a true labor of love." —Maine Antique Digest"A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!" —Peter Grilli, President, Japan Society of Boston"This is a fine and passionate contribution to the vast literature on the Japanese print." —Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum"Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." —Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach"An excellent book for someone just first getting into Japanese prints…[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully," —Nubui Kuduchi blog"This book will appeal to anyone who's interested in traditional Japanese culture." —Tokyo 5 blog"Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players" —Tokyo Jinja blog
Über den Autor und weitere Mitwirkende
Frederick Harris is an artist who has lived in Japan for over fifty years. Raised in New York City, he attended a special high school for students talented in art and music before pursuing further art education at various colleges in the US. At the Art Students League, he was introduced to the Japanese woodblock print by the well-known printmaker Martin Lewis. After serving in the armed forces in Korea, he moved to Japan to establish an art studio. He currently resides in Tokyo with his Japanese wife.
Produktinformation
Gebundene Ausgabe: 192 Seiten
Verlag: Tuttle Publishing (10. April 2011)
Sprache: Englisch
ISBN-10: 9784805310984
ISBN-13: 978-4805310984
ASIN: 4805310987
Größe und/oder Gewicht:
21,6 x 1,8 x 27,9 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
1 Kundenrezension
Amazon Bestseller-Rang:
Nr. 156.981 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Excellent book. I am not an expert in Ukiyo-e, but this book, with its excellent quality and content, has fully captured my attention and triggered a growing interest in this topic.
This book is well balanced with between prints and information about Japanese prints and I am glad to have it on my bookshelf. The quality of the paper is excellent as well. The book is 194 pages long and divided in to the following chapters and sections:Preface 081. Historical Background 102. Materials & Techniques 243. Book Illustations 364. Poetry Prints & Picture Calendars 525. Beautiful Women 606. Actors & Wrestlers 867. Landscapes 1048. Sensual Pleasures 1189. Birds & Flowers 13210. Heroes & Ghosts 14611. Foreigners in Japan 16212. Collecting & Caring for Prints 178Where to See & Buy Prints 184Bibliography 188Acknoowledgements 189Index 190
This is splendid book. I was very pleasantly surprised by its quality. The reproductions that accompany the text clearly illustrate what the author is discussing. The color reproductions are numerous, beautiful and well positioned. The text is lucid and to the point, not tedious or obtuse. The book is organized in a very interestingly - in a novel manner that makes the subject come to life. For me it was a delightful informative introduction to Ukiyo-e. I highly recommend it.
I own many books on Japanese Wood Block Prints but this is one of the best. It not only has great color prints but with each of them the author's analysis of that print which often includes a broader historical perspective. He does it in a format that is not overwhelming and manageable for those of us that are not scholars but just have a passion for the prints.
A fun light primer for the subject, the author has the voice of a charming old eccentric. The book is more like a conversation with an expert than a dense treatise. He handles a wide swathe of subjects, so be mindful of the naughty chapter.
I've several books on Ukiyo-e, but like this one due to its thematic development, and the broad range of topics, including the later ukiyo-e with foreigners! Even though I've read several books on ukiyo-e by different masters and on different topics, I found this much more informative, and now understand several repeated characters, themes, and symbols much better than I did before.
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